Al Jazeera, Qatar
Al-Rafedien, Egypt
Astro, Malaysia
Beeaty Channel, Egypt
Brescia Teletutto, Italy
Broadcast Video Services, Ireland
Digital Design Inc, USA
E-TV - The Technology Channel, Italy
Fox, USA
France Telecom, France
Jetix Europe, Italy
Matrix Engineering Group, Russia
New Delhi TV, India
New Edit Inc, USA
O-TV, Egypt
Polsat, Poland
RTL, Germany
RTV Nord Holland
TV2, Denmark
TV4 Sweden
WDR, Germany
YLE, Finland
John Mander,
Charter Broadcast:
"CanalettoHDi was the
ideal choice for us. It is easy to use, compact and versatile,
providing full digital colour correction in 1920 x 1080 HD,
including individual gain, lift and gamma control of each colour
component. We are using the units in a colour correction role
rather than as legalisers but I have no doubt the players would
appreciate protection of their own against overshoot!"
Paul
Ingvarsson, StormHD:
"Eyeheight is the defacto
standard in legalisers, a well known and trusted name. I have
worked with their equipment at many companies over the years.
legalEyesMDi is easy to use, reliable and versatile. Being
multidefinition, it gives me HD and SD legalisation in a single
unit."
Eamonn Dowdall,
Gearhouse Broadcast:
"Eyeheight was able to
deliver a very compact SA-1 modular system within a week of our
order being placed which is very fast turnround. The SA-1 is
also impressively compact. With three modules in each chassis,
only 8U of rack space was required for all 24 processing
channels. The SA-1 generators lived fully up to their reputation
for reliability and ease of use."
Alan Pimm, ATG
Broadcast
"The Eyeheight modular
architecture offers a high packing density; in this case six
logo inserters in a 1U box. We were able to develop a custom
solution allowing each logo inserter to be controlled separately
by the Omnibus automation system. The Astro Broadcast Centre is
one of the biggest, and certainly the most modern, in South-East
Asia. Modularity was crucial to the entire design as it will
enable easy scaling in line with Astro's future
requirements."
Colin Renwick,
Manchester United Television:
"Eyeheight's playout is
such good value for money that its choice was a no-brainer. It
will enable us to develop our on-screen style as we position the
channel to carry on-screen text feedback from Manchester United
supporters. The switcher can be used manually or under automated
control from a Pharos Playtime play-to-air system."
Chris Warden,
E to E:
"eeZee tv's output will be
almost entirely live so full backup protection of all crucial
components in the transmission chain is obviously important.
Eyeheight's playout incorporates a vision mixer and independent
signal router. In addition to its role as a presentation
switcher, playout can be double in an emergency as the main
studio mixer and transmission-path router. This high level of
flexibility made playout the obvious choice for this
application."
Ismo Torkko,
TV Tools, Finland:
"YLE sets extremely high
standards, both for the technical quality of its productions and
for the ergonomic efficiency of its studios. irisLite's compact
control panel is much more suitable for a busy drama studio than
the broad arrays of pushbuttons found on old-fashioned switching
desks. The menu structure within irisLite enables subsidiary
functions to be performed quickly and easily, as well as
real-time cut and crossfade operations. irisLite's benefits are
even more relevant to OB origination where compact equipment
enables significant weight savings as well as space
efficiency."
Paolo Sala,
Media Signals, Italy:
"The Eyeheight playout
system's combination of intuitive operation and technical
reliability met Brescia Teletutto's current requirements
exactly, with the further advantage of being easily expandable
to meet future needs. Compactness was an additional benefit,
both in terms of MCR and rack space. Sony Systems Italy (system
integrator and provider of the entire production facility
project) was pleased and satisfied to integrate the Eyeheight
master control into the complete system"
Vladimir Migin,
Matrix Engineering, Russia:
"We chose irisLite
following a careful comparison of currently-available vision
mixers. Its combination of crosspoints controllable by a
programme/preset pushbutton panel with T-bar vision mix/wipe is
ideal for fast and efficient operation."
Wiljam Pongers,
RTV Nord Holland:
"We broadcast a full 24
hours per day including on average 60 to 90 minutes of locally
originated content. Located in our continuity suite, Eyeheight's
playout enables us to break into the transmission playlist
without interrupting the studio gallery. The playout system has
proved very reliable. Its control menu enables routine
transmission operations to be performed quickly, with more
detailed levels of functionality easily accessible when
required. playout's compactness is also major benefit."
Bright
Hammond, Pepper:
"HD forms a rapidly
expanding part of our activity but many clients require
standard-resolution viewing copies of HD work. Incorporating
standard and high-definition processors capable of simultaneous
operation, vista SD/HD will enable us to achieve a substantial
increase in operating efficiency."
Bernd Poth,
Logic Media Solutions, Germany:
"The operational and
engineering staff at WDR were impressed by vista's exceptional
combination of versatility and compactness. Eyeheight's geNETics
modular building-block system enables up to six vista systems to
be housed in 1U. vista is easy to use, easy to reconfigure, and
brings the added benefit of interfacing readily into existing
station automation."
Ray Barnard,
On Sight:
"LegalEyes enables
programme producers and editors to prevent video signal levels
exceeding internationally agreed standards for RGB colour space
and luminance. Designed to match EBU specification R103-2000, it
employs full 10 bit signal processing of the 270 megabit/s SDI
input signal. It is compact, cost-efficient, and provides
exactly the controls that an Avid online editor requires."
